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A wide shot of an empty rented European ballroom set up as a conference hall: a long table with water carafes, closed laptops and scattered film press kits.

Diplomats deadlock over whether Oak Street has actually ended

An emergency cultural summit treats a wire-service film review as the latest disappointing sequel in a franchise the world keeps recasting

Magnus Worldweary2 min read

World-weary dispatch from a rented ballroom in Geneva, where invented diplomats treat a film review of The End of Oak Street as if it were a border dispute. The summit, naturally, produces a working group, an asterisk, and a promise that the next sequel will be different.

It is, one notes with the weary affection reserved for a third Die Hard, another international incident dressed as entertainment. Wire services this week determined that The End of Oak Street is a gonzo good time, a verdict solemnly republished by outlets that ordinarily cannot agree on the time of day, and the world's more restless foreign ministries have responded in the only language they still remember: the emergency summit.

Delegations convened in a rented ballroom outside Geneva to decide whether the phrase constitutes a finding of fact, a diplomatic courtesy, or merely the latest disappointing sequel in humanity's long-running franchise about pretending a film notice is news. The original dispatch was circulated in fourteen languages, none of them, several envoys complained, the language of restraint.

"We have seen this picture before," said Harriet Penhaligon, spokeswoman for the Provisional Secretariat on Shared Cultural Assessments, a body assembled overnight and already requesting a catering budget. "A film is released. A wire service declares it a good time of one sort or another. Capitals then feel obliged to take a position, as if Oak Street were a disputed border and gonzo a recognised category under the Vienna Convention."

The talks, as talks will, produced a working group, a drafting committee, and a minority report insisting that Oak Street has not, in any legally meaningful sense, ended. A rival paper, tabled by Klaus-Emil Vorg of the League of Neutral Projectionists, argued that the street in question is metaphorical and therefore cannot be the subject of a final status agreement.

We are not here to enjoy ourselves. We are here to determine, for the record, whether anyone else is allowed to.

One is reminded, inevitably, of every previous attempt to legislate fun. The same chairs, the same bottled water, the same conviction that if only the wording were tighter the public would stop having opinions without a licence. A side session on whether gonzo requires an asterisk occupied Thursday afternoon and was adjourned after an interpreter requested hazard pay.

Night exterior of a modest European cinema, black official cars parked at the curb, a few anonymous figures seen only from behind approaching the entrance.

By Friday the summit had agreed on a single operative clause: that The End of Oak Street may be described as a gonzo good time pending further review, provided no government is seen to enjoy it first. The parallel notice in the quality press was entered into the minutes as Exhibit B and then politely ignored, which is how exhibits usually fare. And so the credits roll on another sequel nobody needed, the ushers already sweeping for the next crisis, which will arrive, as they always do, with a press kit and a promise that this time the ending is different.

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